SIW-AMINA BECH: CV | Utstilling
Født: 19.11.1962
Telefon arbeid: 91 82 76 72
Nettsted: www.aminabech.com
E-post: aminabech@mac.com
I'm educated as a scenographer at the "Norwegian Theater
Academy", bu my main focus today is photography.
My work has in it´s onset based a lot on pictorialism.
Especially through it’s theatrical and artificially arranged
scenes. The combined tools of digital cameras together with
computer-based applications have in essence made much of this
more viable today. I´m preoccupied by environments that
are marked by decay and finality - old factory halls, buildings,
vacated industrial sites and desolate environments.
I try to express the rhythmic presence of duality in life:
good vs. evil; the beautiful vs. the ugly; the sacred vs. the
profane; or, put another way, body vs. spirit. I try to capture
both a sense of finality and endlessness.
I use my background in scenography to create scenes. In the
constructions both background and models (or objects) are photographed
separately. Both the background and foreground are, each in
itself, put together from several images. I prefer this way
of working because it gives me a total control over the final
result which differs from conventional photography.
Memory and Identity
Most of my works is based on either an affiliation, personal
experience, reoccurring dreams, or human mental structures and
processes. I use my own story to reflect on a larger set of
issues. I really enjoy the evolving process of work which can
start from a vague idea which then develops into a universe
all its own. Nothing can be more frustrating and giving at the
same time as that. What excites me the most is when an emotional
trigger connects unexpectedly with a visual memory.
Short bio
I was born in the country - eastern Norway. While my family
on my mothers side were all laestadians; a fundamental religious
sect primarily based in the northern part of Norway, my father
derived from several generations of corn farmers. I spent my
childhood on my grandparent's farm – literally in a converted
hen house. This little cottage housed my family of five. Today
I find this quite amusing. There was a big barn built on a tall
wall made of granite, but no animals. Or, there might have been
a cow there once - and then rabbits...a lot of rabbits.
amina bech